The QTC50s are targeted for overhead drum use and provide transparent, faithful reproduction of both the drum kit and the ambience of the recording space. The SR30 features an extremely wide frequency response and exhibits little in the way of pro...

Audix’s DP-Elite 8 package includes one i-5 snare mic, two D-2 tom mics, one D-4 floor tom mic, one D-6 kick drum mic, two SCX1-c condenser overhead mics, one SCX1-hc hi-hat mic, four D-Vice gooseneck clips and a heavy-duty alum...

The Yamaha SKRM-100 SubKick will transform the sound of your kick drums. This sub-bass transducer also works with other bass instruments. Features include a 6.5-inch speaker/ diaphragm for low end which is shock-mounted in ...

According to the company, AKG’s D 112 has earned the reputation worldwide as the best kick-drum microphone ever made. . Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. The D 1...

Sennheiser’s cardioid e905 mic, part of the company’s Evolution Series, has a high maximum SPL and an excellent transient response, suitable for a wide range of instruments and an ideal choice for snare drums. It features a full sound and fast...

The Kickball, a new microphone in the line of spherical mics from Blue, is tailored to suit low-frequency applications such as kick drum and bass guitar. The Kickball, a phantom-powered, dynamic microphone, follows in the footsteps of its co...

Part of Shure’s Performance Gear Series, the PGDMK6 is a complete drum mic package. The kit includes three PG56 snare/tom microphones, a PG52 kick-drum microphone, two PG81 instrument microphones, three A50D drum mounts, six 15-foot (4.5m) XLR-...